Larry Goldings

What is left to say about the incomparable Larry Goldings that hasn’t been said yet?

Frankly, after having shared a couple of these interviews + having written personal introductions to each one of these, I hope it doesn’t sound too repetitive… Why? Because all the stories of what happens when I’m inspired by someone share the same plot: I listen to someone for the first time, get inspired, I try to check out as much concerts/records/interviews/videos/etc as I can… I’ll transcribe songs, look for bootlegs, read the biography, I’ll try to check out the stuff that this person was influenced by… I’ll do everything that helps me understand this person’s process and I’ll do this with everyone that interests me.

This is why all the stories may sound a bit alike. I hope that’s OK.

So back to Larry.

When I was a kid I was listening to Larry’s playing on John Scofield‘s masterpiece record “Hand Jive”. Later when I was getting into playing the piano myself I used to play a long with it a lot. The line up, the repertoire and the amazing playing by Larry on organ and piano just put a spell on me. While my parents became fans of Larry’s music I followed them along, listening a lot to Larry’s own “Intimacy Of the Blues”, Scofield’s “Groove Elation”, Michael Brecker’s “Time Is Of The Essence” and other records. After a while I had most of Larry’s records, either through my parents or through my own purchases. My favorite Larry Goldings Trio record was always “Sweet Sience” and though I love everything that Larry has done, I have a special soft spot for this particular record. There was a time where I would only listen to my three favorite songs from that record : “Asimov”, “This Guy’s In Love With You” and “Spring Is Here” on repeat … to this day I still go back to that record a lot and I keep noticing news things in the music – it keeps on giving!

When I was 17 years old I had a lesson with great pianist and composer Florian Ross and he played me “Sticky Mack” from Larry’s piano trio record “Awareness”, a record that I didn’t know until that point. I was blown away! I’d say that “Awareness” is one of my top five favorite piano trio records of all time!

I got to talk to Larry a couple of times after concerts of him that I attended and he was always very kind and generous in sharing his memories when I asked him about stuff. This is our first lengthy conversation and I enjoyed it a lot. Thanks for talking to me, Larry!

Peter Bernstein

The first time I heard Peter Bernstein was on “The Intimacy Of The Blues”, the first Larry Goldings Trio album that my parents used to listen to and I really liked that album. When I got more into to buying my own records I bought “Heart’s Content”  – I really lived with that album for a while, listening to but often times, also playing along with it quite a lot. I became in awe of Peter’s sound and his extraordinary talent for melody.  Another important record during this time was “Sweet Sience” by the Larry Goldings Trio. Among my favorite albums of Peter are “Monk”, “Solo Guitar, Live at Smalls”, “Heart’s Content” and “Earth Tones” and of course all the other albums with the Goldings Bernstein Stewart trio.

Since I started this interview series I got to talk to his Peter’s longtime musical partners Larry Goldings and Bill Stewart and I’m happy to finally include Peter himself in this series of interviews now. We talk about melodic lines, his teacher Ted Dunbar, playing with Sonny Rollins, guitar keys & open strings, Monk’s music, the lesson with Keith Jarrett, the Goldings Bernstein Stewart trio and much more. Hope you enjoy!

David Longstreth

When I first heard the Dirty Projectors some time in 2012 I was blown away. (I think it was either “Two Doves” from the “Bitte Orca” record or “Maybe That Was It” from “Swing Lo Magellan”… don’t remember it exactly). I fell in love with this music right away.  The creativity and the searching quality of Dave Longstreth’s songwriting and production style simply amazed me. Also the way he leads the band was a big inspiration for me. Actually, it feels strange to single out specific things that I admire about him and this music, it’s the whole package… !

I then made an effort to check out as many Dirty Projectors records (and bootlegs) as I could.  Among my favorite albums are “Mount Wittenberg Orca” “Bitte Orca” & “Swing Lo Magellan”. I remember a tour through South America with my trio where I exclusively listened to Dirty Projectors (and Maria Callas singing Puccini’s “Tosca”!) for the whole tour. I love this band and I keep finding new things in those recordings all the time.

My composition “Longstreth Blues” (as heard on my album “GLOW II“) is my tribute to his music. In it I tried to channel a couple of things I learned through listening to Dirty Projectors.

I went to Berlin to see them live in August of 2018 and I got the opportunity to interview Dave Longstreth in the afternoon before the concert. I was super excited to talk to him and ask him a few questions. Hope you enjoy our conversation!