Podcast

My third album GLOW was my first time leading a bigger ensemble with my longstanding trio at its core. Recorded in 2010, it featured multiple harmonic instruments (Kathrin Pechlof on harp & Hubert Nuss on harmonium & celesta and me on piano), multiple basses (Robert Landfermann, Henning Sieverts & Dietmar Fuhr) and multiple horns (Niels Klein & Sebastian Gille on woodwinds and Menzel Mutzke on trumpet & flügelhorn) and Jonas Burgwinkel on drums .

For these musicians I wrote little sketches to be explored freely by their creative minds. Collectively we came up with stuff that I could have never imagined on my own. Another lesson in the power of the communal spirit.

Playing and recording with this group of people was an important stage of my development. I’m happy to share some memories of the process with you. Enjoy!

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I grew up listening to John Scofield through my parents who are big fans of his music. So each time we’d go on holidays or just went for a little trip in the car there’d be a cassette with Sco’s music playing at some point during the journey. “Still Warm”, “Hand Jive”, “What We Do”, “I Can See Your House from Here”, “Quiet” and also his records with Miles Davis like “Decoy” or “You’re Under Arrest” are are deeply ingrained in my childhood memories.

When I was ten years old my parents took me to see John Scofield for the first time. He was touring with a great quintet (Seamus Blake, Kevin Hays, Larry Grenadier & Bill Stewart) playing the music from the “Quiet” album. This was an unforgettable experience to say the least. Since then I’ve seen him live countless other times, collecting his records, looking for bootlegs, reading his interviews and transcribing lots of his songs.

In 2014 my trio got the chance to invite a special guest for a concert at Philharmonie Köln. We expressed our desire to play with Sco and to our surprise he accepted! That first concert became a record (The Trio Meets John Scofield on Pirouet Records) and after the release John asked us to come on tour with him through Europe in 2015. You can imagine how surreal all this felt, but getting to know John, playing and hanging with him has been one of the greatest experience of my life. He’s the nicest guy you can imagine, a musician of the highest order and I’m thankful to call him a friend.

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This is my conversation with the great sound engineer Rob Griffin. He worked with so many incredible artists: Wayne Shorter, Herbie Hancock, Michael Brecker, Paco De Lucia, Chick Corea… and he also mastered my last album „Ascent“.

Rob is one of a kind and I think that really comes across in this conversation. He is full of enthusiasm, he loves to learn and always searching for new and better ways to capture and enhance the music, and he really enjoys to pass on his memories of all those tours with Wayne, Herbie and all my other heroes.

We talk about his approach to mixing and recording, his unique up-close insights into how some of my most favorite bands, like the Wayne Shorter Quartet, work on and off stage. And above all else: his deep love for the music.

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